Dinamika Estetika Foto Tunggal RKF di Facebook Dalam Budaya Visual Digital Fragmentaris
DOI:
https://doi.org/10.34148/artika.v10i1.1518Keywords:
Foto Tunggal, Dinamika Estetika, Budaya Visual Digital, MADESB, Identitas PerformatifAbstract
Pembahasan tentang Dinamika estetika foto tunggal Rumah Kayu Fotografi (RKF) di Facebook dalam budaya visual digital yang fragmentaris pada periode 2022-2023. Persoalan utama penelitian terletak pada kemampuan satu bingkai mempertahankan daya hadir ketika foto beredar di antara praktik scrolling, komentar, respons komunitas, dan arsip digital. Penelitian menggunakan pendekatan kualitatif interpretatif dengan strategi studi kasus. Korpus diseleksi dari 9.286 unggahan visual menjadi 277 kandidat foto tunggal, 121 foto terseleksi bulanan, 24 foto utama, dan 48 foto cadangan. Analisis dilakukan melalui Model Analisis Dinamika Estetika Satu Bingkai (MADESB) yang mengintegrasikan struktur fotografis Szarkowski, studium dan potensi punctum Barthes, dramaturgi Goffman, serta performativitas Butler. Hasil penelitian menunjukkan bahwa foto tunggal RKF bekerja melalui kepadatan simultan antara objek, detail, bingkai, waktu, sudut pandang, narasi, afeksi, dan identitas performatif. Kekuatan foto tidak hanya terletak pada keindahan formal, tetapi pada kemampuannya menginterupsi perhatian, membuka ruang tafsir, dan membentuk ekologi visual komunitas digital.
Downloads
References
Abidin, C. (2018). Internet celebrity: Understanding fame online. Bingley: Emerald Publishing Limited.
Barthes, R. (1981). Camera lucida: Reflections on photography (R. Howard, Trans.). New York, NY: Hill and Wang.
Butler, J. (1988). Performative acts and gender constitution: An essay in phenomenology and feminist theory. Theatre Journal, 40(4), 519-531.
Chen, Y., Mao, Z., & Liu, Y. (2023). Using social media images as data in social science research. New Media & Society, 25(4), 849-871. https://doi.org/10.1177/14614448211038761
Frosh, P. (2015). The gestural image: The selfie, photography theory, and kinesthetic sociability. International Journal of Communication, 9, 1607-1628.
Goffman, E. (1959). The presentation of self in everyday life. New York, NY: Anchor Books.
Gomez Cruz, E., & Meyer, E. T. (2012). Creation and control in the photographic process: iPhones and the emerging fifth moment of photography. Photographies, 5(2), 203-221. https://doi.org/10.1080/17540763.2012.702123
Highfield, T., & Leaver, T. (2016). Instagrammatics and digital methods: Studying visual social media, from selfies and GIFs to memes and emoji. Communication Research and Practice, 2(1), 47-62. https://doi.org/10.1080/22041451.2016.1155332
Jurgenson, N. (2019). The social photo: On photography and social media. London: Verso.
Marwick, A. E. (2013). Status update: Celebrity, publicity, and branding in the social media age. New Haven, CT: Yale University Press.
Palinkas, L. A., Horwitz, S. M., Green, C. A., Wisdom, J. P., Duan, N., & Hoagwood, K. (2015). Purposeful sampling for qualitative data collection and analysis in mixed method implementation research. Administration and Policy in Mental Health and Mental Health Services Research, 42(5), 533-544. https://doi.org/10.1007/s10488-013-0528-y
Rose, G. (2014). On the relation between visual research methods and contemporary visual culture. The Sociological Review, 62(1), 24-46. https://doi.org/10.1111/1467-954X.12109
Serafinelli, E. (2017). Analysis of photo sharing and visual social relationships: Instagram as case study. Photographies, 10(1), 91-111. https://doi.org/10.1080/17540763.2016.1258657
Sontag, S. (1977). On photography. New York, NY: Farrar, Straus and Giroux.
Stake, R. E. (1995). The art of case study research. Thousand Oaks, CA: SAGE Publications.
Szarkowski, J. (1966). The photographer's eye. New York, NY: Museum of Modern Art.
World Press Photo. (2023). 2023 World Press Photo Contest. Picter. https://site.picter.com/2023-world-press-photo-contest
Downloads
Published
Issue
Section
License
Copyright (c) 2026 Artika

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.









