Design Language in Motorcycle Design

Authors

  • Pierre Yohanes Lubis University of Canterbury, Christchurch, New Zealand

DOI:

https://doi.org/10.34148/artika.v4i1.165

Keywords:

design language, visual communication, motorcycle design

Abstract

Design language as a form of non-verbal communication is comprised of shapes, colour, texture, pattern, etc. These elements of design language are the penultimate way of communication for designers, especially industrial and product designers. It is the cue that guides the consumer on how to navigate and behave with a product. In relation with motorcycle design, the author investigated on the design language of various motorcycle designs, including how different types of motorcycles for different use could significantly alter the whole design language. This research was carried out with the elements of design language in mind in order to understand it a little further and how it can assist the design process.

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References

Aspettati, P., Barone, S., Curcio, A., Picone, M. 5-7 Sep 2001. “Parametric and feature-based assembly in motorcycle design: from preliminary development to detail definition”. XII ADM International Conference.

De Jong, C. W. 2017. Dieter Rams: Ten Principles for Good Design. Munich: Prestel Verlag.

Holland, G. 2 Mar 2009. A Periodic Table of Form: The Secret Language of Surface and Meaning in Product Design. Core77. Available here

Mick, D. 13 Sep 1986. “Consumer Research and Semiotics: Exploring the Morphology of Signs, Symbols and Significance”. Journal of Consumer Research.

Sharma, A., Shmueli, S. 22 Oct 2007. “Motorcycle and The Art of Product Design”. Connecting'07 World Design Congress. Available here

Thompson, D.W. 1917. On Growth and Form. Cambridge: Cambridge University Press.

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Published

2019-09-20

Issue

Section

Articles